Showing posts with label Yann Martel. Show all posts
Showing posts with label Yann Martel. Show all posts

Sunday, August 1, 2010

Top 10 Novels of the decade

What are the books that can be said to have defined the first decade of the millennium? Here’s a list of novels we’ve loved, lauded and are sure treasure for decades to come

Here’s a list of top 10 novels that shaped our reading habits for the last decade. These novels fashioned new genres, created controversy, and entertained us, and then there are the books that, quite simply, would be hailed as great in any era.

Life of Pi by Yann Martel
Canadian writer Yann Martel’s Booker Prize winning novel took the world by storm when it was released in 2001. Life of Pi is the story of a 16-year old Indian boy adrift at sea for 227 days with only a dangerous Bengal tiger for a companion. Pi Patel’s journey, and survival through the use of his wits and sheer determination, is one that grabs you and never let’s go. It’s a story that seems both too real and surreal at the same time. Yann Martel is a master story teller and he weaves a tale that is entertaining and thought-provoking and at the end, he challenges you to believe it all.

Full list here My bangalore

Saturday, July 24, 2010

Ang Lee to begin shooting ‘Life of Pi’ in Kerala

Academy-award-winning director Ang Lee will soon begin shooting for his ambitious new project, the silver screen adaptation of Booker Prize winning novel Life of Pi, in the picturesque locales of Kerala.

The Taiwanese-American director had begun auditions for the lead in the film earlier this year and had made a stop-over at Mumbai for the Indian round of casting and later scouted for locations in Puducherry, where part of the film will be shot.

Contrary to reports that the film is on hold due to budget disputes with the producers, 20th Century Fox, the filming will commence soon and Lee is currently dividing his time between New York and Southern India.

“Lee has completed his recce in Kerala and Puducherry.

Full report here Hindu

Sunday, May 2, 2010

Against the tyranny of facts

Man Booker Prize winner Yann Martel's second novel, Beatrice and Virgil, is in many ways a book of memory and remembrance. The artful metaphor is our only ally against forgetfulness, he says. Excerpts from an exclusive interview...


Yann Martel's second novel has been a long time coming. Recently released in Canada and the US, Beatrice and Virgil has received polarised reviews. That it has been trashed as well as praised, he says, is a sign that it has elicited active engagement, not indifference, from the readers. The controversial reception is a sign that it is getting people to think and act, he says from San Francisco where he is on a promotional tour. Excerpts from a telephonic conversation...

Are you planning on coming to India to promote the book here?
I have a nine-month-old son. Before I can promote it — I am not going to Australia, New Zealand — I want to get back and be with my son. So, as much as I would love to return to India, for any reason, not just to promote my books, just to be in India — I haven't been there for about nine years now — I don't know when that'll be. India has changed a lot, I would love to go back and see that

Is this novel about the primacy of the imagination? You think we live in a world where the profusion of facts is working against making sensible meaning out of it?
Reality is a 100 million details. Right now where you are, if you think about it, you are surrounded by 100 million details on which you could focus your attention. Everything, from chemical, scientific details to cultural details to personal emotional details... now some of that has to be lost. Time, you know, is an eraser. It all goes. [We need] something we can hold on to. It's called history. But even history has hundreds of thousands of details and sometimes it's overwhelming and it's hard to get to. The forte of the arts, the forte of the imagination is that it can take some of those details and give them immortality. A painting, a story, a song can float across the ocean of time like a lifeboat. So you can get to the essence of an event and convey it in the form of art. It can be like a suitcase, taking the essential and preparing you for a trip to elsewhere...

Full interview here Hindu